Tips, Tricks, and Magic Sprinkles

Sunday morning musings...

So what are the magic tips and tricks for singing?

Lean in...
Closer...

Guess what?

There are none.

There are no tricks or magic sprinkles to immediately fix or find something vocally.

Just like the quick weight loss and quick muscle gain are hoaxes,  so are the snake oil promises in vocal technique.

There is nothing glamorous,  or bright and shiny about the WORK.  And that is what technique and voice building and vocal behavior is.  WORK.

There is nothing glamorous about getting to the gym and sweating it out.

There is nothing glamorous about bleeding feet in a ballet class.

See where I am going with this?

Creating behavior,  creating technique,  creating knowledge, is EXCITING.  It's worth the sweat equity,  it's worth the focus,  it's worth the investment - only if you believe it is.

As a teacher,  I can't believe it for you.  I am there to give you the tools,  to find you where you are,  to figure out what you need and how to get you there.  However,  YOU are the one who has to do the actual WORK.

"Methods" and "quick fixes" are usually a "one size fits all" mentality.  They never last.  It's a patch job in desperation.   Will it work for minute?  Sometimes.  Does it last?  No.

When something new is accessed in the voice studio,  it doesn't make it behavior.  It means you can ACCESS it - which means the possibility now exists to create the full behavior!  Doing it once, hoping it works,  doesn't make it work.

Your WORK and your FOCUS and your COMMITMENT will give you an opportunity to create it fully and allow you to summon it at will.

If you call yourself a singer,  then sing.  That means honing, learning, discovering, re-discovering, creating, focusing,  asking questions,  and working at it every day.

Whatever you ARE,  DO that.  It is action-oriented not hope-oriented.

Whatever you HAVE,  DEVELOP that.  Saying you have it,  isn't enough.

If all you want is glamour,  without the sweat equity,  then I suggest you take a look carefully at Mr. Sondheim's lyric from "Ah, but Underneath":

Sometimes, when the wrappings fall,
There's nothing underneath at all...


Dare to make mistakes.  Dare to ask questions.  Dare to recognize where you are.

Dare to ask for help.

Dare to ask why.

Dare to be more than a trick or a hope or a wish.

Dare to have substance, and clarity,  and focus.

My hope for you is that you find truth through your technique.  That you keep exploring MORE to allow your artistry to have a place to reside fully.  That you can access it,  summon it,  and CREATE magic.

Magic DOES happen.  It happens BECAUSE, not in spite of;  it happens in action,  not in fluke;
it happens when you have done the work,  and it has SO much more power and portent than you would even imagine - because, it's YOU.

So,  as your fairy godmother,  I do not wave a magic wand.  I see you.  I mirror what I see.  Now get sweating and find your truth & your honesty!

  Create your own magic.

Then, OWN IT.

Why study?

happy weekend!

Conversations with the singers that work with me always bring me to further thought - and often it ends up here on the blog!

This one came up several times this week.

Why study?

I am always flabbergasted - and probably shouldn't be given our social climate - that so many think, in portions of our business - that their undergrad is done,  and so,  why study anymore?

Or  - there are some who have begun a professional career but don't further their studies.

The reasons why those attitudes and decisions are made aren't the point of this blog post.

More to the point,  why study?  why continue to study?  why pick up your study?  and most importantly,  why wouldn't you?

We are athletes are singers and performers.  We need to keep that physicality in the best shape.  Great athletes are constantly honing their craft,  their physicality,  working with coaches on all levels of their work.

As singers,  our physicality and metabolic life is continuing to change, morph and develop.  If we don't work with it and develop it fully,  and allow for it to be realized,  how can we call ourselves professional?

If we are asked to be part of the equipment - doing 8 shows a week - wouldn't it be the natural realization to keep working on the technical behavior so that instrument and equipment can do its job well?

If we are just at the beginning of a possible career,  wouldn't it make sense to keep exploring and studying what the physicality and technique can develop into in order to access it more fully and more specifically?

If you are in your career - wouldn't a regular tune up and 2nd set of ears be the thing you'd need to keep you aligned, balanced and healthy?

We have trainers at the gym;  we have life coaches;  we learn to eat well;  we take dance classes or yoga classes or pilates classes;  we may even take a performance class or two;  we keep getting new head shots;  we keep updating our websites;  we keep auditioning...

but do we study?

Do we learn how we do what we do?  how we need to re-approach what we thought was working and maybe isn't anymore?  do we know how we access that voice? that physicality?  with specific knowledge and action,  or just by the seat of our pants?

Finishing a program doesn't mean you know.

Being cast in a show doesn't mean you know.

You know when you know.  And the more you know the more you want to know.  Because knowing reveals how much there is to continue to learn!

Why study?  Because you must to truly reveal what you have,  what you need to hone,  what you need to develop,  in order to summon your talent at will.

If you call yourself a performer,  or an artist who performs,   then you are connected to the journey of KNOWING.  Knowing requires enquiry;  enquiry requires getting real;  getting real reveals truth; truth reveals authenticity.

Study.

It comes in many forms.

It morphs,  and it changes shape depending on what you need, when you need it.

It doesn't have to be weekly lessons,  although it can be.  It could mean intensive work in the voice studio over a short period of time and then a longer period of allowing that information to wash through you,  and for your technical behavior to catch up physically in order to access things fully.

It could be regular "check-ins".  It could be a combination of intensives and check-ins.

Nothing is in stone.  How you study is reflected on why you study.

I often ask my singers,  "why are you here?  What do you feel you need today?  What do you feel you are here to do?"

Sometimes they know,  sometimes they don't.  Sometimes they think they know,  and as we start to work,  it is revealed what they really need!

So,  why study?

Why wouldn't you?

Even if you are fully formed from a physiological perspective within the singing mechanism,  are you aware of all the micro-shifts and metabolic changes?  Do you know how to access it fully,  freely without issue?  Is your talent easily summoned without restraint,  at will,  because your technical behavior is so ingrained it needs nothing more?

 If you say you are an artist,  or a performer,  then your craft DEMANDS study, observation, changes, adjustments, tweaking, and an honest and true place to explore.

Take on the study - and commit to the lifelong exploration that allows you to access YOU!

Inhabiting Your Craft

Happy Sunday!  Happy April!

I was tagged in a post on Facebook this morning...which got me to thinking...

The post was very complimentary: “…XYZ is a wonderful actress…BUT, her voice needs the tender and intelligent ministrations of SEY.  Her voice is in pieces - you could hear her move from one register to the next, and the “high” notes would crack in between.  It was painful to hear.”

I thank the person who wrote this - I am honored.  And it broke my heart. 

Why do we do this to ourselves?  Why do we neglect or reject a portion of our craft, thinking or hoping or praying, that another aspect will make up for it?

It breaks my heart for many reasons.  One is personal.  I have done this.  I have relied on my acting intelligence when my voice was a mess.  I knew it was a mess.  I knew WHY it was a mess.  I was stubborn (my best and worst trait!) and made myself get through.  Did it work dramatically?  Yes.  Did it work vocally?  Oh hell no.  Was it reliable?  absolutely not.  Was I in survival mode only?  Pretty much.

So, I get it.  I get it more than you will ever know.

This is why I am vehement as a teacher to try to instill the absolute NECESSITY of CRAFT.How does one inhabit one's own craft?What does it demand of you?What does it reveal about you?These are the big questions we have to be strong enough,  stubborn enough,  willful enough,  to ask - and then to ANSWER.

It directs us from opposites.  The "actor" feels the story telling is enough to mask the lack of vocal development.  The "singer" feels the voce will supersede any flaws that the lack of acting intelligence may have.

WRONG.Both, and I do mean, BOTH are crucial to truly inhabiting your craft.

It doesn't matter what genre you are in - music theatre, opera and all its manifestations - CRAFT is CRUCIAL in order to fully inhabit what you say you do and who you say you are.

FEAR is a big obstacle.  I get that.  The "but what if..."  can often be truly in the way.  But what if I can't?  Hey,  but what if you CAN?What scares you?  failing?  or succeeding?

So what are you doing to inhabit your craft?  Where are the weak spots?  Are you just doing a patch job, or are you truly looking at it objectively and seeing it fully - big picture - and are you ready to work on the overhaul?

Craft as a singing actor is CONSTANT.  We work,  we discover, we hone, we physicalize,  we gestate,  we incubate,  we "ah-ha!",  we create behavior,  we create consciousness,  we observe,  we step away,  we internalize,  we materialize...

It's a lot.  It is.  I know that.  But we MUST.  We must honor the craft we say we do.  

I see great actors simply not discovering what they can do for a HEALTHY singing voice.  That's a choice.  A choice NOT to.   We see all their commitment into their acting craft,  and even their SPEAKING voices - but then not what is needed to sing with the same level of authenticity.  The study and discovery has to happen in order to create a fully realized characterization.  The voice doesn't have to be amazing.  An actor who sings may not have a beautiful voice,  but they can create beautiful technical behavior to access what they DO have,  and access their talent at will.

Study doesn't just happen when you book a show.  Study happens in the in-between.  However, when you BOOK,  you better be studying in order to have that 2nd set of ears and eyes keeping you healthy in order to do your work!  The maintenance is KEY.  Maintenance cannot happen if the behavior has not been achieved.

The same goes for singers who act.  I have heard incredible voices and as soon as I see them on stage - I can't watch.  They are awkward.  They have no idea what to do with their bodies,  how to move,  how to physicalize their voices with any dramatic choice.  We lose how magnificent the voice is,  because we SEE the awkwardness or the self-involvement with the SOUND and the craft of acting doesn't exist.  A character is not realized.  This isn't inhabiting the fullness of craft either.

With both singing and acting -  you must look at each specifically before you can integrate fully.  You need to discover the physical behavior of EACH in order to embody BOTH.

"It's good enough" my darlings, is bullshit.  It's your stress management talking.  Trust me, been there, done that, have the tattoo.

Inhabiting your craft takes time,  perseverance,  tenacity,  stubbornness,  willingness,  desire,  passion and drive.  

It's not over till it's over.  It will be enough when you aren't over thinking and overcompensating and aren't making excuses for something.  And then,  the muses will reveal what more you can do!Inhabit because you MUST.  

Your craft demands all of you.

Are You READY?

It's holiday season...

It's opera audition season...

It's always theatre audition season...

Sometimes, it's successful,  sometimes it doesn't seem to be.

If you aren't getting the auditions,  or the callbacks if you get the auditions;  if you aren't getting seen;  if you feel frustrated,  disappointed,  despondent, ready to take a hiatus...

Your feelings are valid.  Acknowledge them,  give them permission to exist and let them move through so you can get to the next.

What is the next?

A simple, yet complex question:  Are you ready?

Your answer may be:  Yeah, but Susan, ready for what?  I am not getting seen/getting appointments/getting callbacks/getting ANYTHING.

Ah, but what happens WHEN they call?  WHEN you get the audition appointment?

If you are stubborn and crazy enough to pursue this career choice (and you have to be a little or a lot of both!) - you have to be ready.

Once the disappointment wears away,  get your big girl panties on and GET TO WORK.

There is nothing more devastating than to watch someone who SAYS they want a career,  who may go through disappointing seasons of no work/no auditions,  suddenly get an opportunity, and they just are not ready.

It happens more than you think.

Make a commitment to yourself this season.  Make a commitment to be ready.

Sometimes you wonder if a casting director, or an artistic director even remembers you.  Then, out of the blue,  you get a call.  Are your ready?  (and that's not a story, it DOES happen)

What are you doing to be ready?

Is your voice is tip top shape?  Are you studying regularly enough,  are you practicing consistently to access your talent at will?

Are your arias ready to sing and PERFORM?

Is your audition book ready so if the casting director says "what else have you got in there?"  you could sing that cut exactly the way you want it?

Do you know what you want them to see about YOU in an audition?

Vocally?  Dramatically?

Are you ready to take on those roles or those projects that you say you want?

Is your head shot working?

Is your resume up to date?

Have you up'd your game in order to stand out for all the right reasons once you have a chance to show them what you do?

What if that phone call came today?  Are you going to get excited,  get focused and prep or are you going to start making excuses as to why it might not work?

If you say you want it,  then DO IT.  Prepare even when the opportunity isn't beckoning you.  Prepare precisely because it is not there.  This allows you the opportunity to be ready when the pressure isn't breathing down your throat!

Is the presentation of YOU accessible at a moment's notice?  This is the time to assess and ponder and then do something about that!

Little secret:  the business isn't going anywhere.  You can take some time to get yourself in order to truly be ready when the call comes and they want to see you this afternoon, tomorrow or next week.

So, instead of letting the lack of work, auditions, callbacks get you down - let it be permission to get it all together!  Organize!  Plan!  Study!  Practice!  Discover!  BE!!!!

Yes, sometimes being ready means you hurry up and wait.  Waiting doesn't mean dormant.  Waiting means prepared.  Our business is fickle,  and it's temperamental and it changes its mind quickly.  If you aren't ready to meet the challenge when the opportunity beckons or demands your attention,  you will be stuck in your own decisions.

The opportunity will come.  Be ready for what you need to do, in order to DO IT.

Don't settle for kinda, sorta,  maybe.

Kinda, sorta, maybe isn't memorable for the right reasons.

You want it?  You gotta go get it when it presents itself.

That's the best gift you can give yourself this season:  ALL OF YOU!

How do you define SUCCESS?

The end of summer is at hand...

Next week we begin a new season.  It always feels like the "new year" to me when the fall season begins.  Many of you are ramping up,  back at school,  checking upcoming auditions,  preparing to travel to your gigs,  taking on new roles and new projects.

So how do YOU define success for yourself as you enter this new year as an artist, or as one who embodies artistic temperament?

I ask this, because each of us comes to our own definition.  That definition can have many different possibilities for any one of us,  depending on where we are, what we are working toward,  what our goals are.

The dictionary defines it as "the accomplishment of an aim or purpose".

Given that as a template,  do we give ourselves permission to succeed only in the larger goal, or do we recognize the smaller accomplishments, the smaller successes on a day to day basis that help create the path to a larger goal?

I believe that as an artist we have to be "big picture" people,  as well as "detail" people.   We cannot afford to get lost in either scenario,  so setting that large picture can often come first, in order to discover how to get there. 

Success is discovered in the planning, and then in the EXECUTION and frankly,  the fine-tuning and re-organizing of that plan.

If your big picture "success" is to perform at a well known opera house, or on Broadway,  but you never practice, or seldom get your bum out of bed to get to an audition,  or get your applications in on time,  then you are creating self-sabotage,  and the big picture success won't happen, nor will you ever locate the detailed successes along the way.

True success is found in the day to day discovery of self.  At least that is what I am finding more and more.

We are hard on ourselves.   We stress.  We fret.  We don't think we're good enough.  We get scared.  Trust me,  I get that.  I am harder on me than anybody else could possibly be!  When I don't accomplish what I set out to in a day,  I can beat on myself royally.

What does that accomplish? 

What were my goals?  Why?  Did I reach or exceed them?  Why or why not?

What DID I achieve today?

Did I bring 100% of whatever I had to bring to whatever I did?  If all I have is 30% but I bring all 30,  then I have succeeded!

And if I didn't?  Well,  if I can recognize it,  acknowledge it,  OWN it,  not make excuses for it, nor beat myself up about it,  look into the mirror and say "tomorrow is a new day and this is goal"  then I still succeed on pursuing the path.

Success triumphs in tangible ways and in intangible ways.  It is not all or nothing. 

Failure is not an option.  Living is needed, necessary and required.

Success is measured in what you have to contribute and how you use that contribution to make this place a little better than you found it.

The intangibles can suddenly find a tangibility that is uniquely yours,  should you give yourself permission to be where you are,  and discover the possibilities that exist there.

Achievement of an action

Realization of a goal

A triumph over a struggle

Being ready to take on that new task

Living without hesitation

Fearlessness

Giving of spirit

Being open to the possibility

Satisfaction

Finding your power within the spirit of you and claiming it


All these are possible definitions.  Create your own.

The beauty of success is that no one defines it for you, but you.

So what are you waiting for?  Start this season off with DAILY successes that you can acknowledge and claim.

If you feel overwhelmed, start one step at a time.  Start small.  Each step is a success!

Reach and claim that unreachable star each and every day by WHO you are,  and what you claim in your artistic life,  your personal life,  your tangible life.

Success is as much a journey as anything.  We can create a large open ended picture and let it change from day to do by what we do with each day.

The day may bring you many things, but it is up to you what you do with it,  how you greet it,  how you take it on.

Whatever you have,  bring THAT into your day;  into your studies;  into your work;  into your pursuits;  into your dreams.  Let it lead how you are perceived and want to be perceived. 

Define your success by choosing to create it and  live it,  not by wishing for  it or yearning for it.

And I leave you with the eloquence of Sondheim's brilliance - make your OWN hat.

There's a part of you always standing by
Mapping out the sky
Finishing a hat, starting on a hat
Finishing a hat, look I made a hat
Where there never was a hat

Read more at http://www.songlyrics.com/sondheim-on-sondheim/finishing-the-hat-lyrics/#Tgm8otS4ygBu2egr.99