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Why study?

happy weekend!

Conversations with the singers that work with me always bring me to further thought - and often it ends up here on the blog!

This one came up several times this week.

Why study?

I am always flabbergasted - and probably shouldn't be given our social climate - that so many think, in portions of our business - that their undergrad is done,  and so,  why study anymore?

Or  - there are some who have begun a professional career but don't further their studies.

The reasons why those attitudes and decisions are made aren't the point of this blog post.

More to the point,  why study?  why continue to study?  why pick up your study?  and most importantly,  why wouldn't you?

We are athletes are singers and performers.  We need to keep that physicality in the best shape.  Great athletes are constantly honing their craft,  their physicality,  working with coaches on all levels of their work.

As singers,  our physicality and metabolic life is continuing to change, morph and develop.  If we don't work with it and develop it fully,  and allow for it to be realized,  how can we call ourselves professional?

If we are asked to be part of the equipment - doing 8 shows a week - wouldn't it be the natural realization to keep working on the technical behavior so that instrument and equipment can do its job well?

If we are just at the beginning of a possible career,  wouldn't it make sense to keep exploring and studying what the physicality and technique can develop into in order to access it more fully and more specifically?

If you are in your career - wouldn't a regular tune up and 2nd set of ears be the thing you'd need to keep you aligned, balanced and healthy?

We have trainers at the gym;  we have life coaches;  we learn to eat well;  we take dance classes or yoga classes or pilates classes;  we may even take a performance class or two;  we keep getting new head shots;  we keep updating our websites;  we keep auditioning...

but do we study?

Do we learn how we do what we do?  how we need to re-approach what we thought was working and maybe isn't anymore?  do we know how we access that voice? that physicality?  with specific knowledge and action,  or just by the seat of our pants?

Finishing a program doesn't mean you know.

Being cast in a show doesn't mean you know.

You know when you know.  And the more you know the more you want to know.  Because knowing reveals how much there is to continue to learn!

Why study?  Because you must to truly reveal what you have,  what you need to hone,  what you need to develop,  in order to summon your talent at will.

If you call yourself a performer,  or an artist who performs,   then you are connected to the journey of KNOWING.  Knowing requires enquiry;  enquiry requires getting real;  getting real reveals truth; truth reveals authenticity.

Study.

It comes in many forms.

It morphs,  and it changes shape depending on what you need, when you need it.

It doesn't have to be weekly lessons,  although it can be.  It could mean intensive work in the voice studio over a short period of time and then a longer period of allowing that information to wash through you,  and for your technical behavior to catch up physically in order to access things fully.

It could be regular "check-ins".  It could be a combination of intensives and check-ins.

Nothing is in stone.  How you study is reflected on why you study.

I often ask my singers,  "why are you here?  What do you feel you need today?  What do you feel you are here to do?"

Sometimes they know,  sometimes they don't.  Sometimes they think they know,  and as we start to work,  it is revealed what they really need!

So,  why study?

Why wouldn't you?

Even if you are fully formed from a physiological perspective within the singing mechanism,  are you aware of all the micro-shifts and metabolic changes?  Do you know how to access it fully,  freely without issue?  Is your talent easily summoned without restraint,  at will,  because your technical behavior is so ingrained it needs nothing more?

 If you say you are an artist,  or a performer,  then your craft DEMANDS study, observation, changes, adjustments, tweaking, and an honest and true place to explore.

Take on the study - and commit to the lifelong exploration that allows you to access YOU!

What scares you?

There is so much in our world that is frightening - more now than ever.

This sense of fear, of disbelief, of hopelessness,  often renders us mute or stuck or simply unable to take a breath or a step or know what to do next.

Many of us have to learn how to respond to world in a brand new way:  a way that is foreign,  a way that requires us to learn new skills quickly in order to make sense of our purpose and our usefulness for that world in our own little corner.  We have to figure out why it matters, if it matters at all,  and what we have to contribute and what we have to DO to contribute to it.  It doesn't feel 'right',  it doesn't feel 'normal',  it doesn't feel 'enough'...

As you know,  this is not a political blog,  but how interesting it seems, that as I write the above paragraph,  it can be talking to you the artist and you the performer as you navigate the culture of the business,  should you want to pursue having a career.

What scares you?

I mean it!  What scares you?

What scares you about actually developing craft?  What scares you about developing your artistry so you can summon your talent at will?  What scares you about the business?  What scares you about walking through that door and saying "hey this is me,  and this is what I do"?   What scares you about sending out that application?  That submission?  What scares you about walking into that audition?  What scares you about getting that callback?  Not getting that callback?  Opening that email?  Not getting an email?

What scares you about walking into a class?  into a lesson?  What scares you about booking a project?  What scares you about practicing?  What scares you about taking a step outside your comfort zone?  What scares you about finding out what you can actually DO well and release  what you can't?  What scares you about discovering what you NEED to do?

Okay - you may be saying, "Pfff Susan I am not scared."  Fine.  Choose another word then.

Change "what scares you" to "what's stopping you";  change it to "how are you responding to"  or "what motivates you"  or "what stops you".

It all stems from the same place:  YOU.

Denial or dismissal or procrastination (and I have done ALL of it,  so don't with me...I see you!)  is a form of stress management.

When you feel like something is giving you anxiety,  a small or large panic attack,  an opportunity to hide or turn away,  there's your fear right there.

Sometimes what scares you,  is the fear itself.  The fear of failure?  The fear of actually succeeding?  And what is THAT anyway?  Succeeding in what?  Succeeding with what?  Succeeding where?  Succeeding how?

Who is that in the mirror and how do I come to terms with HER or HIM in a way that makes me feel like I am DOING something every day;  not for the business, not for the craft,  but for my place in it.

Your place matters.  The thing is,  you have to create it by being there.  You have to create it, hone it, nurture it,  stand your ground in it,  commit to it.  You have to acknowledge each emotion,  and claim them all as you have strength to.

You have to make that place yours and take it with you.

Think about being on tour:  so many of us create "home" around us in a hotel room - photographs, "stuff" that only matters to us,  that gives us a sense of belonging somewhere.

This is what brings us back to center.  This is what allows us to have a place to respond from and a place to return to.

So,  what scares you?  Do you have a place - your place - within yourself that you can take with you into every situation,  every possibility,  every sudden change?

Does it allow you to meet each situation head on?

More importantly does it reveal to you,  and are you aware when the excuses begin or when you feel the fear seep through and make you back away?

It's okay to be scared.  It's okay to be anything.

Claim it,  and discover how you can DO in spite of it,  despite it,  with it,  beyond it.

One step.  One idea.  If it feels too overwhelming,  stop and sit down and breathe and BE WHERE YOU ARE.  

When we are not where we are,  due to denial,  fatigue,  unawareness, delusion,  we cannot see where we are going,  what we are doing,  who we want to be,  or how we want to be seen.

What scares you?

Take a breath.  Where are you right now?  Claim that.  Stay there as long as you need to in order to make that real for you.  Take that place with you:  from one activity to another and be aware of it.

You are in charge of YOU.  Nobody's the boss of you - except YOU.  So what do you have to say?  What do YOU have to do?  Want to do?  Need to do?  Want to be bothering doing?

You can choose to be scared and do it anyway.

You can choose to be frustrated and find a new way to get there.

You can choose to stop.  You can choose to find motivation somewhere.  You can choose how you feel and how you respond,  not based on the outside but based on YOU.

As human beings and as artists we have this miraculous, wonderful and frustrating as hell thing called CHOICE.  It allows us to respond in ways more creative and magical than we allow ourselves to,  including making another choice!

So, what scares you?
Sometimes it's clear,  sometimes it's not.  Meet it head on,  find it,  and make a choice about what you will do with it.  Your fear.  Your choice.

What Does a Singer Need?

Happy 4th of July to all of you who celebrate!

As we enter the lazy days of summer,  it can be a great time to re-evaluate,  to re-negotiate,  to re-discover what you need,  what you want,  what your goals are for the upcoming season,  what you want to achieve through the summer.

So what does a singer NEED in order to create an environment to learn, to develop & to succeed in their development?

Talent aside,  there are many other things that can be more tangible or realized.


Talent is nothing without development.  Potential sucks if it's not developed.


What do you need?

A burning desire to sing.  Not a plan B or C;  not an excuse;  not a "yeah, but";  Just a simple burning desire to sing because that it was gives you a sense of yourself like no other.

You need to WANT to sing.  You need to WANT to learn that role, that song, that aria.  You cannot WAIT to throw yourself into the learning process because to sing is to be alive.


A capacity for major doses of reality.  The DESIRE is fueled by this.  You have to know what you are capable of doing and why;  and what you are not ready to do,  may never do,  and why not.

Do you know what it will take to pursue a career?  Are you ready to commit to that?  What are you ready and willing and able to commit to?  What can you glean from that commitment?

Knowledge is power,  and power is knowing.  The singer must have both and recognize that the balance of the two is constantly in flux.

AWARENESS is key.   Where am I?  What can I do?  What am I willing to do?  How do I make that work to achieve my goals?  Are my goals realistic to my talent, my desire, my tenacity, my commitment?  If not,  how do my goals shift in order to make my choices more realistic?

What are my priorities?  Do they line up with what I want or say I want or do they reveal something more important that I need to pursue or acknowledge?

Are you aware of your own psychology?  Are you clear what it represents?

Are you aware of your emotional and mental strengths, and even more importantly, your weaknesses?  Do you know how to develop your sense of self awareness?
Do you acknowledge self-doubt?  Self-sabotage?
Do you recognize what you need to do to move through it?

Are you willing to take responsibility for your emotional life in order to be healthy enough to explore a professional life as a singer?  What are you doing to achieve that goal?

Find a mentor.  Find that person that is willing to invest in you and challenge you.  A mentor will hold up a mirror to give you permission to see what needs to be seen.  They will help you continue to ask the questions in order to discover some answers, and probably some more questions.  They are not there to enable,  to tell you what you want to hear, but rather, to encourage,  and create an environment safe enough to hear what you NEED to hear and help you find ways to DO something about it.

I think mentoring is like reality training in a safe environment.

As singers,  as human beings,  we need this desperately.

What else do you need?

A solid,  unrelenting work ethic.

A focused consistency.

An unapologetic self-discipline.

The ability to laugh at yourself but always take the work seriously.

The ability to forgive yourself.

The emotional and psychological fortitude to say "no".

The emotional and psychological fortitude to ask "why".

The self-discipline to take a day off and not feel guilty.

The self-discipline to get back to work,  even when the obstacles take your breath away.

The desire and focus to always follow through.  ALWAYS.

So,  what are you working on?  What do you need?  What are you willing to do to acknowledge it,  and develop it and find more of it?

Nothing is promised,  but you have RIGHT NOW to make some choices that will allow you to find your "next".

Happy discovering!!

Upcoming WEBINAR with Backstage University!

Want to join us?

I will be giving a WEBINAR through Backstage University:

TUESDAY OCTOBER 20th at 4 p.m. EST

You can sign up to join us online LIVE or sign up to get a recorded copy of it, if you aren't available to join us live.

We will be discussing "Finding Your Authentic Voice" - and all that might mean as you discover YOU in the audition room!

Check out the link and details HERE!

Hope to see you SOON!


Best,
Susan

Dear Singer...What is it about the Business?

Dear Singer,

First,  you have to identify the difference between making music and being an artist AND making a living making music.   You have to know how to separate those two.  They are not,  nor have they ever been the same.

There are rules that apply to each of those facts,  and you have to find them and acknowledge them and follow them.  You haven't done that yet or you wouldn't be feeling they way you are feeling.  Acknowledgement of rules,  prevents you from taking it personally.

Even if you were Equity,  the stats are 95%  unemployed at any given time.  This is BUSINESS of show.

You have chosen a profession that has a ridiculous unemployment rate.  You have to want it badly enough to stick to it.

Knowing how your voice works, or  how to be an actress and all the craft associated,  is NOT how the business works.  The two are not the same, nor do they necessarily go hand in hand.

You have to learn how the business works and the time it takes to figure out the game and how to play it.   You have to be prepared to be in this game long enough (sorry sweetie - 2 years is no time - or 6 months or even 5 years...)  to find out whether it's what you want to be bothered with long term,  or simply walk away and find another way to keep making music for your well being.

Just wanting something doesn't make it so.

We work not because we are good enough,  but because somebody thinks we are,  and sees us playing the game to their reasoning.

The game is often bullshit and it has NOTHING to do with craft or artistic integrity - but it is what has to happen in order to work.

So - prepare to learn the game.  That takes time. A lifetime really.  There are no assurances in this business.  None.

There are no answers but the ones you discover for yourself,  about yourself and about how you function or not, in the business.

The level of the business doesn't matter:  same game, just another day and another process.   Community theatre, regional professional theatre, Broadway - ARE ALL THE SAME.  The players and venue change.  The stakes may change.  Learning to play the game in the venue you are in is what the business is about.  Discover your game.  Play it.  Get good at it,  or walk away.

I am just trying to be honest with you.  The work you do on your artistic self will always be there;  don't misunderstand that.  Artistic self has NOTHING at all to do with BUSINESS self.

Learning the business,  learning the game,  and how you navigate those land mines - is up to you, and takes more time than you realize.  If our artistic selves continue to evolve and develop over a lifetime, then so,  do does knowledge of the business and the business self within the business of show.

Chin up!!! Your path is your path.


Accept it,  experience it,  walk it - or choose to walk elsewhere.  Wherever you,  BE THERE.  Fully, honestly, and completely.




Sending you good wishes,
Susan

Whatever happened to CLASS?

By now,  you've probably read something about Patti LuPone and the cell phone incident.

If you haven't,  just Google it and read many accounts.  One of my favorites is from the Huffington Post.


Now, anybody who knows me, knows I love my iPhone.   I use it regularly for business,  and personal use.  It is rarely not close by.  My electronic devices are crucial to how I run my business.

However....

When I am in a waiting room,  or in the theatre, or in other places of public space,  I TURN IT OFF.  

What has happened to our theatre goers and why is Patti LuPone getting the blame, or at least the headline?

Frankly,  I salute her for making the statements she has made.  It's about time.  But she shouldn't have to.

What's wrong with people?

What happened to knowing how to behave in different social situations?

Going to the theatre,  has become an extension of someone's personal living room.  The respect, the sanctity,  and the accessibility seem so lost on society.  And the willingness of the theatre staff from the top to deal with this lack of respect,  seems non-existent.

WHY?!

It is so easy to then make this issue about Patti LuPone.  It is not.  It is about YOU - the person who talks through a movie when you aren't the only one in the theatre;  it is about YOU - the person who sits in live theatre and texts or checks Facebook during the show;  it is about YOU - the person who talks at a table or the bar loudly enough while someone is singing on stage.

It's also about YOU - the person who came to the theatre with said talker/texter - who doesn't tell your companion to shut up or turn it off;  It's also about YOU - the usher, the theatre manager, the security - who doesn't simply take the device and escort said offender out the door.

Let's not confuse this shall we?

If people start being held accountable for their actions perhaps this has a chance.  Why do the performers have to be the ones who end up saying something?

Why is it so hard to learn to behave appropriately depending on the venue?

If you are at the theatre,  why aren't you paying attention to what's going on, on stage?  If you are bored, leave.  Some of us pay a lot of money on tickets and we didn't do that to hear you chat, sing along, or see your screen light up every 3 seconds beside us.

What I am always amazed by,  is the indignation by the offending party when you say something!  (And trust me, I SAY something!) That stunned disbelief that someone would actually tell them to stop in public space from doing something that is offensive.

Whether it's Madonna texting during Hamilton at the Public,  or the twit teenager who tried to plug his phone in to charge it on the set of Hand of God,  it is behavior that needs to stop.

So,  we know Patti LuPone said something,  stopped the show and read the riot act.  Now, who was the woman who was using her phone?  We need to know the names of these people.  They can't stay anonymous.  Playbill tracked down the idiot at Hand of God and we know who he is.  We know who Madonna is.   These people need to be exposed.  Why?  Because when your name is suddenly revealed, if you really REALLY believe you weren't doing anything wrong,  it won't bother you will it?

The theatre is a place where we go to be entertained, to be challenged,  to be changed;  The beauty and mystery of theatre is that we can be in the same place with many others - all strangers - and still experience something magical and unique.

That possibility of magic,  that promise of awareness,  that incredible mystery of the human experience needs to be honored.  It needs to be given the respect it rightfully deserves.  It deserves your undivided attention,  your willingness to invest,  and your respect.

Your living room,  your ordinary,  your shopping bags,  your conversations,  your cell phone - have NO place in the theatre.

YOU are welcome:  your curiosity,  your eagerness,  your attention,  your spirit,  your laughter, your tears,  your energy!

Leave the rest of it on the street or at coat check. 

The theatre is sanctuary for many;  it is a place of hushed expectation;  it is a place that comes alive with language and song and creates magic in the places in between. 

Even if you have no idea what that means,  but still want to go to be entertained,  you can still learn to respect the space you have entered. 

So, start paying attention to where you are.  Speak up if someone beside isn't.  Don't let an actor who has work to do have to break 4th wall in order to make a larger point.

If you are at the theatre,  BE THERE.  Trust me,  when you power your cell phone back on,  it'll still be there!  And then you can actually discuss the EXPERIENCE of the theatre for real via social media and text on your phone,  after you have actually had the experience!

What a photo can reveal without your consent!

happy 4th of July to all American readers!

As I continue to work on physical therapy I am always amazed at breath and alignment.

Each must be so tangible and available to us just to move through our lives,  but even more so as singers and actors.

This has been an insistent and visceral theme in my world and of late,  even more so.

As singers,  we have to constantly stay in the NOW to discover how that breath and alignment is working with us,  not against us. 

One of those discoveries can be through a photograph.

Many singers and actors use photos to promote themselves - through websites, submissions, on social media and the like.   Head shots are one thing,  and "performance" shots are quite another.

These performance shots can be very revealing.  I am talking more about you in concert,  you walking onto stage,  you taking a bow,  you being YOU,  not playing a character in a production.

The importance of physical behavior is captured in that instant for all to see. 

Are you aware of what it reveals?  Are you willing to see it as it is,  and then make the adjustments necessary to improve upon it?

Many singers and actors are unaware of how they come across in a room or in a photo.  They simply put the photo up, not realizing that the subliminal response can be just as important as their head shot.

This doesn't mean you can't use the shot:  it means that you need to examine WHY and if necessary, crop the photo to exude only what you wish to be shown.

This demands a great deal of objectivity and not wishful thinking.  This requires you to ask bigger questions of yourself and the professionals you trust to give you the truth and what you need to hear,  not what you want to hear.

A photograph can reveal a professionalism that you embody - or it can reveal an amateurism that prevents you from being heard.  Wouldn't you want someone looking at a performance photo to say "I'm intrigued,  call her/him in!" 

Lately,  I have been seeing too many "amateur" looking performance photos.  You can do better than that;  you ARE better than that!

Use the photos that POP professionally and aren't just "good enough".  If you feel like they are "meh",  trust me, the business isn't going to give them more than a glance.

Energy READS.

If it's a full length photo - are your knees locked?  Is your stance too wide? Is your stance too closed in?  All these reek amateur.

What about your torso? 

Is your chest sucken?  Are you sitting on your solar plexus?  This is an apologetic stance.

Is your chest too high? Is your sternum and ribcage locked?  This often reads as bitchy and defensive.  (P.S.  This was MY M.O btw...I am not immune to these issues either!)

Are you leading with your stomach?  Completely unengaged?  This reads as you don't care. 

If you don't care,  why should they?

What are your arms doing?  What about those pesky hands?

Are you using a mic or mic-less?  If holding a mic,  are you comfortable with it? 

There is a reason to practice with your hair brush in front of you mirror you know...!!!!

Are your eyes open?  Is there something being said there?  Is there passion or fire or engagement?

The photos that encourage someone to enter are the ones that engage fully,  and create an EASE with the body, not a rigidity.

Some of you may ask for examples.  I can't use photos of people and embarrass them so if you want some feedback on yours,  ask me!  Or ask someone you trust who works with you regularly.

Don't forget,  in this day of photo shop you can crop crop crop!  Maybe your face is engaged and your hands are engaged, but your lower body is locked.  Crop it out.  Doesn't mean you can use it!  Just know HOW to use effectively!

In the meantime,  keep exploring and staying present in your body and your breath as you move through your day.  Keep integrating the two;  Sometimes practice without singing - just using the body through a song or aria.  Guide your intentions with your breath.  Make them authentic by making them conscious so they have an opportunity to find an honest spontaneity!

Let your photos reveal something about you that is more than professional or amateur.  Let it give the viewer pause;  and want to know more and HEAR more!

It's 2015: MOVE!

Happy 2015!

What will it bring?

Or more importantly,  what do YOU bring to it?

I am not into regrets.  Or woulda-coulda-shouldas.  It keeps me locked into a place that doesn't let me move forward.

So claim NOW and look forward.

Let's play a game.  Try to answer with ONE WORD ONLY - you can always extrapolate later!
*****

What do you want?

What do you need?

Why?

What are you pursuing?

How are you pursuing it?

What does your artistic self crave?

What does your business self need?

What would simply give you contentment each day?

What makes you laugh?

What makes you frustrated?

What gets in your way?

What are the THREE words you are going to claim for 2015?


*******

Resolutions and regrets are not worth your energy.

Resolutions set you up for failure, and regrets keep you locked in place.

Move forward.  Move with purpose.  Move with integrity.  Move with balance.  Move with clarity.  Move with focus. Move with authenticity.

Just get moving!!  Great things happen when you know HOW to move,  WHEN to move,  WHERE to move. 

Trust your gut.  Trust your instinct.  Develop your intuition. 

Create an environment to move into and bring it with you!

How do you define SUCCESS?

The end of summer is at hand...

Next week we begin a new season.  It always feels like the "new year" to me when the fall season begins.  Many of you are ramping up,  back at school,  checking upcoming auditions,  preparing to travel to your gigs,  taking on new roles and new projects.

So how do YOU define success for yourself as you enter this new year as an artist, or as one who embodies artistic temperament?

I ask this, because each of us comes to our own definition.  That definition can have many different possibilities for any one of us,  depending on where we are, what we are working toward,  what our goals are.

The dictionary defines it as "the accomplishment of an aim or purpose".

Given that as a template,  do we give ourselves permission to succeed only in the larger goal, or do we recognize the smaller accomplishments, the smaller successes on a day to day basis that help create the path to a larger goal?

I believe that as an artist we have to be "big picture" people,  as well as "detail" people.   We cannot afford to get lost in either scenario,  so setting that large picture can often come first, in order to discover how to get there. 

Success is discovered in the planning, and then in the EXECUTION and frankly,  the fine-tuning and re-organizing of that plan.

If your big picture "success" is to perform at a well known opera house, or on Broadway,  but you never practice, or seldom get your bum out of bed to get to an audition,  or get your applications in on time,  then you are creating self-sabotage,  and the big picture success won't happen, nor will you ever locate the detailed successes along the way.

True success is found in the day to day discovery of self.  At least that is what I am finding more and more.

We are hard on ourselves.   We stress.  We fret.  We don't think we're good enough.  We get scared.  Trust me,  I get that.  I am harder on me than anybody else could possibly be!  When I don't accomplish what I set out to in a day,  I can beat on myself royally.

What does that accomplish? 

What were my goals?  Why?  Did I reach or exceed them?  Why or why not?

What DID I achieve today?

Did I bring 100% of whatever I had to bring to whatever I did?  If all I have is 30% but I bring all 30,  then I have succeeded!

And if I didn't?  Well,  if I can recognize it,  acknowledge it,  OWN it,  not make excuses for it, nor beat myself up about it,  look into the mirror and say "tomorrow is a new day and this is goal"  then I still succeed on pursuing the path.

Success triumphs in tangible ways and in intangible ways.  It is not all or nothing. 

Failure is not an option.  Living is needed, necessary and required.

Success is measured in what you have to contribute and how you use that contribution to make this place a little better than you found it.

The intangibles can suddenly find a tangibility that is uniquely yours,  should you give yourself permission to be where you are,  and discover the possibilities that exist there.

Achievement of an action

Realization of a goal

A triumph over a struggle

Being ready to take on that new task

Living without hesitation

Fearlessness

Giving of spirit

Being open to the possibility

Satisfaction

Finding your power within the spirit of you and claiming it


All these are possible definitions.  Create your own.

The beauty of success is that no one defines it for you, but you.

So what are you waiting for?  Start this season off with DAILY successes that you can acknowledge and claim.

If you feel overwhelmed, start one step at a time.  Start small.  Each step is a success!

Reach and claim that unreachable star each and every day by WHO you are,  and what you claim in your artistic life,  your personal life,  your tangible life.

Success is as much a journey as anything.  We can create a large open ended picture and let it change from day to do by what we do with each day.

The day may bring you many things, but it is up to you what you do with it,  how you greet it,  how you take it on.

Whatever you have,  bring THAT into your day;  into your studies;  into your work;  into your pursuits;  into your dreams.  Let it lead how you are perceived and want to be perceived. 

Define your success by choosing to create it and  live it,  not by wishing for  it or yearning for it.

And I leave you with the eloquence of Sondheim's brilliance - make your OWN hat.

There's a part of you always standing by
Mapping out the sky
Finishing a hat, starting on a hat
Finishing a hat, look I made a hat
Where there never was a hat

Read more at http://www.songlyrics.com/sondheim-on-sondheim/finishing-the-hat-lyrics/#Tgm8otS4ygBu2egr.99

Burning Bridges & CHOICE

Sunday musings...

What is burning a bridge really???

I hear that a great deal  "well I have to say yes,  because if I don't,  I might burn that bridge."

That bridge to where???

Are you even planning on taking that bridge anywhere?  Does it lead to anything stronger, more helpful,  more positive than the side you are on right now?

You have the right to say "no" to a project, for the right reasons.

Simplify WHY you say YES to  a project:  1.  The role/show is something you truly want to do  2.  The company/director/tour is something you really want to work with  3.  The money is just too good to say "NO" to   4.  The project intrigues you and you simply have to be involved

The "YES" can be any of the above, or combination of the above.

But when do you say "no"?

You don't have to say "yes" to everything that comes down the road!!  You don't want to become known as the entitled brat who turns everything down because she/he is waiting on that Broadway contract, or that chance to sing at the Met.  Guess what?  You gotta build that resume FIRST,  AND your reputation.

Saying "no" doesn't, in itself,  give you a bad reputation.  Your attitude, your work ethic, your preparedness, your interaction with others - these things count.

Sometimes,  knowing a situation is simply not a healthy one is a reason for "no".  Sometimes,  you have worked with/done that,  and really need to move on.  You don't need to give a REASON to say no,  but you can simply be cordial,  thankful for the opportunity,  but due to other commitments, you are unavailable.

Trust your gut.  If it doesn't feel right,  chances are something isn't right.  Now, granted,  it takes time to truly develop the finesse of the gut in the business of show - but even as a young performer,  you can trust your instincts.

Know your worth.  Even if a project isn't paying, or isn't paying much,  if a company still treats you with respect,  and recognizes the contribution you are making,  doesn't mean you have to say "no".

You, and only you,  can decide how to establish your business ethic,  and your boundaries.

If you are concerned about burning a bridge,  start by defining that bridge.  Does it lead anywhere other than what you may turn down?  If so,  what?  If so, where?   What is your reason for turning down the gig?

Saying "no" doesn't have to be a public performance.  In fact,  it shouldn't be.  It should be discreet, filled with discernment and measure,  with respect to all parties involved.

From a personal perspective,  "no" can be because of health,  energy,  conflicts,  life...Sometimes things are just too difficult to manage.  If your gut hesitates,  figure out why and then make a decision.  The choice is ALWAYS yours.  How you act on the choice is what has consequences - good or bad.

Ultimately,  the "burning of a bridge"  isn't about saying "no".  It is about HOW you say "no".

Graciousness and diplomacy in your business is so very important.  If you treat others with the respect you would want to be treated with,  you simply cannot burn a bridge.

If your attitude is entitled,  then you are not thinking of anything else but you,  and not in a positive light!

Make your decisions based on YOUR career.  YOUR direction.  Make your choices based on the bridges you want to take, and cross,  not on the possibility of burning one.  That will always make you look over your shoulder.  You aren't going there.

Move forward.  Be true to your commitments.  Say "no" when it is necessary.  Say "yes" when it makes sense.

Make the decision,  and begin the next step.  Rehashing choices makes us chase our tails,  and our path gets tied up,  and we may miss the next bridge.

Claim your possibility.  Claim your reason.  Claim your choice.

Leave those bridges alone,  until they are directly in front of you - and again,  CHOOSE to cross, or not.

Google is your Friend...

Sunday musings...

Perhaps it is being of a pre-computer generation,  where "pounding the pavement" literally meant getting up,  and taking materials into casting offices;  where searching meant going to the library,  knowing the Dewy Decimal System and finding books with information;  when you sent inquiries via hand written letter with a stamp on it and waited for the response;

What I am finding lately,  is that the computer generation - information literally at your fingertips - is separated not by your talent per se,  but by your ability to type in your question to a search engine or not.

What has not changed,  and will not change,  is the human aspect of this:  curiosity,  and the willingness to do the work to find the answers.

Whether it is literally pounding the pavement,  or whether it is discovering the right questions to ask and where,  THIS is what often separates the wheat from the chaff.

Nobody can hand you a career.

Nobody has all the answers.

Nobody can do your work for you.

YOU have to do it.

So how do you start?

Sit on your bum,  in your pjs with your coffee beside you and begin a list of questions of things you want to know.  Let that list develop as things occur to you.

So often,  I see this "list" posted on facebook pages,  or forum message boards.  This my gentle snowflakes,  is your INSIDE list.  Nobody sees it but you.  Don't share your inside list.  You need to absorb that list and let it gestate internally with a pen and paper or on your hard drive.

As the list develops,  then start asking the questions by typing them into that search engine called Google.  Yes,  Google is your friend.  Google isn't going to say "that was a really stupid question";  Google isn't going to laugh at you;  make fun of you;  chastise you;  Google is simply going to provide you with some valuable sites it feels may answer those questions.

Then,  YOU pour over the "answers" and see if what you are reading helps your query.  Maybe it leads you to another question.  Maybe it fulfills the question.  Maybe you gain information that can allow you ask an even more specific question.

The questions you pose via anonymous forums or message boards reveal much about you.  First,  nothing is that anonymous.  Second,  the world is small.  Six degrees of Kevin Bacon remember?

How do you want to be seen?  Does your question reveal that or does it reveal something else?

If a question you ask of someone or a place is something that the more knowledgeable see as an easy "Google" question,  you are marked as lazy,  clueless,  and a whole bunch of not particularly nice words. 

People in our business are more than happy to help each other,  if they see the person asking is doing their work and finding their answers!  We are the first to smack you upside the head if we see you asking questions that are easy to Google and show your unwillingness, inability, or pure laziness, to simply type and hit send.

No question is stupid when it comes from common sense,  your ability to reach out and find answers, and truly want to know. 

Even though things have changed in how quickly we can access information,  some things have not.  It still comes down to your ability to research,  to discover,  to know how to ask the right questions,  to recognize and follow the breadcrumbs.

Don't give up.  Keep asking the questions.  Ask those questions in the right places, and absorb the answers.  Don't make excuses for the answers if you asked the question.

So pour another cup of coffee,  take a big breath,  and begin the "inside" list.  Then open that browser,  and type in that question and hit send.  You will be amazed at what you find!

Ever try to exhaust Google?  I dare you!  It will then lead you to the human beings that can specifically answer your SPECIFIC questions based not on your lack of knowledge, naivete, or laziness,  but rather, based on your research and your discoveries.

THAT is what we want to see.  Performers and artists that are willing to DISCOVER for THEMSELVES.

Actors and the VOICE

Sunday musings...


I have had several actors come to me recently who have major vocal problems.  They simply have not cared for,  nor do they seem to know how to use and look after their instruments.

It bespeaks a larger issue...I see so many so-called "actors" who take business classes to try to get work,  but have completely ignored the craft of simply caring and using their instrument.

An actor does not have to take singing lessons to use his/her voice.  However, an actor should be taking VOICE lessons in order to use his/her voice in a healthy way and to learn about support,  breath and resonance,  as well as building on endurance, power,  projection and more.

I have many actors who come in to work on their speaking voices THROUGH singing work.  The singing is more athletic simply because of duration,  and so they build a larger range,  a better understanding of support and movement of breath,  and their speaking voices become much more anchored and resonant almost immediately.

I am amazed at how many actors,  stage or screen,  do NOT work warm up their instrument prior to using it.  Many just haven't thought about it.

Unless you are working in silent film,  your instrument is your voice.  Your body is your instrument.  Why wouldn't you want it to be as athletic and strong as it could be?

This is in no way a chastisement!  This is a simple nudge to encourage you to view your training and your development as an actor a little further than what many have done.

You need to understand the function of your voice.  What are your possibilities?  How strong and tangible is your breath?  What kind of range do you have vocally?  (A grunt and a squeak do not count!)   What is your resonance like?  Where does your voice naturally sit?  Does it tire easily?  Do you project without restriction?  Are you gasping for air?  Is your throat sore after you have used your voice?

We aren't even talking about the craft of ACTING.  We are simply talking about the physical instrument and all of its possibilities.  The craft of acting should wrap itself around the physicality of the voice,  and sadly, often it is ass backwards and the voice itself is forgotten.

So what should you do?  Just like take a yoga class, or a pilates class or a spin class,  you warm up first.  You do not go into a full blown attack without letting the muscles get loose and lengthen and breathe.  Just like working out in ANY athletic activity,  so should you allow the voice!

Find yourself a voice class that is structured on the instrument as focus.  Find a teacher that understands the actor's voice and can help build a regime of development for you specifically.
 Take the time to really discover your voice.  Each actor has physicality,  has breath,  has tone,  has range,  has resonance,  has language.  Wouldn't you want to discover more about that and access all of what you are?  Wouldn't you want to know how to use all these factors in order to develop MORE breath, MORE support, MORE resonance,  MORE power, MORE dynamic. MORE range and never get vocally tired?

The more you focus on the athleticism of the voice and simply develop it,  the more possibilities exist.   If there are possibilities,  then anything can happen!

Treat your voice with the respect it deserves.  It IS your instrument.  YOU are an actor.  The two are entwined.  Now is the time to get conscious about it and do something to make it MORE.  Let it reveal itself to you,  develop it, nurture it,  and CLAIM IT.

happy discovery!

Consultations/Lessons and INFORMATION

Just some information for those of you who are coming into NYC or are in NYC and want to book consultations and/or lessons.

Please send me your head shot & resume with some info about YOU.  Email me directly at:

susaneichhornstudio@gmail.com


I will answer you promptly to let you know about availability.

Please DO NOT go to the online schedule and simply book if we have not been in touch first.

Thanks for your attention on this. 

See you in the studio!

Best,
Susan

Reading, Comprehension & Smart Questions

The musings continue...

My friend and colleague Cindy Sadler were discussing these things throughout the week.

Cindy is a brilliant artist,  who writes a great blog you need to add to your list HERE.

She also runs a marvelous opera summer program in Austin Texas called Spotlight on Opera.


As she receives applications in the hundreds,  as I receive emails and requests to study and consult,  as we comment on message boards for singers,  we have seen a trend that is pervasive in the business - be it in opera, theatre, film or TV.

There is a distinct divide between those who actually READ and COMPREHEND what they are reading before asking questions,  and those who simply are not doing this basic skill.  There is a huge difference between asking an informed question and asking a stupid question.
 

I know in my studio,  I tell my singers, when the door is closed, there is no stupid question.  What does that mean?  It means you are in a safe space to query about things that you might not ask anywhere else, so you have the answers you need to navigate the chaos we call the business of show (and the artistic pursuit of your craft!)

HOWEVER...

I am not sure how reading/comprehension has been lost.  It isn't all of you.  Trust me,  some of you are detail-oriented and are focused and clear.  We love hearing from you!

But, there are enough of you who do not read, comprehend nor follow directions well,  that it is putting you in jeopardy when you apply for programs,  scholarships,  submit for auditions,  etc etc.

Perhaps it is the era of "instant" that is the issue, but it does not give you a free pass.  If you want to be in ANY business you gotta read and COMPREHEND what you are reading so you are responding appropriately.

Read the application.  Thoroughly.  Make a check list if you have to, in order that you have all that is required.

Read the website.  Make sure you UNDERSTAND what is being asked of you.

You have SPELL CHECK.  USE IT.  There is absolutely NO EXCUSE for typos in this day and age.

If you have questions,  make a list and then double check for answers in the application and on the website.  Do not just start emailing questions that can be clearly answered by simply READING AND COMPREHENDING what is already there!

This does not hold you in high esteem.  Asking questions that are easily answered by reading what is there says 1. You are lazy  2.  You are not reading  3.  You are not comprehending what you read  4.  You don't want to do the basic work  5.  You want to be spoon fed  6.  You aren't ready for this application or this business.

Result: you are not taken seriously. AT ALL.  You are dismissed.

Is it in your control?  You bet it is!  If you want to be taken seriously,  earn it.  Just do the work.

The same goes for asking questions.  Ask SMART questions.  Looking "dumb"  does not make you more endearing.  It makes you look like you are not ready!  Time is valuable,  and questions that are asked inappropriately simply will be dismissed.

You either enhance or diminish your reputation with your questions.   What do you prefer?

I believe everything - including question asking - is often done so off-the-cuff,  that the person asking hasn't taken the time to see if the answer is right before him/her.  Not cool.  You MUST comprehend.

Even if the answer is NOT right in front of you - framing that question in a way that will get a proper response is crucial.

Example:

Asking a broad question like "How do I get a Broadway show?"  is going to be dismissed out of hand.  Too broad,  too general,  too green.  It reveals that you haven't done ANY research,  and wouldn't be ready for an answer.

 "Do cruise ships pay?"

  What does that reveal?  On the surface, someone who is truly clueless,  and simply hasn't done ANY research and certainly is not ready to even CONSIDER auditioning for anything in the professional world.

How could that question be re-worded?  It depends what the person answering the question is ready to READ AND COMPREHEND.

You have Google at your fingertips.  Do you homework.  Once you have done some preliminary research you might want to formulate the question as "I am looking into cruise line work and would love to know from any of you who have done it what I could expect in salary with little to no experience, should I get an audition."

That would show you have looking into the basics!  This would indicate you are respecting the time of those you are asking.  Anything less is beyond amateur,  beyond irritating, beyond...

You get the point.  I hope.

When you are applying for a program and your application is incomplete,  there is no excuse for that.  You did not read and comprehend.  If the application requires an mp3 of your work under 5 minutes, attached to the application, don't email the company and ask if you can send a YouTube clip link.

If you need THREE letters of recommendation, don't send TWO and wonder why you don't get in.  

You get the idea?

Just follow the bouncing ball.  It's not rocket science.

Read thoroughly.  Comprehend what you are reading.  Follow the instructions. 

As you are comprehending what you are reading,  make notes with any follow up questions.  As you keep reading, perhaps those follow up questions will be answered.

In this day of technology,  there is absolutely NO EXCUSE to not have basic information in hand before ANY question is asked.

This is YOUR decision and YOUR responsibility.  Do not get your back up if you are ignored for asking a question that is easily answered if you just READ and COMPREHEND, or answered curtly and told to do your research first.  That's on YOU.  Take responsibility for YOUR career development.

Being green is no excuse for being lazy.  No one is going to spoon feed you in this business.

Your reputation depends on your ability to BE smart and ACT smart.  The simple task of reading, comprehending, and putting that into action to then facilitate smart questions is the beginning of discovering where you can be!  If this simple task is not taken seriously,  you don't have a chance.

Where do you start?

READ.

COMPREHEND.

FOLLOW DIRECTIONS.

RESEARCH.

ASK QUESTIONS OUT OF YOUR RESEARCH,  NOT OUT OF  IGNORANCE.

THINK.

BE PRESENT.

PAY ATTENTION.

(did you read and comprehend all of these???? GOOD!)

If you want a career,  it's up to you,  not up to someone else.

There are people out there who are just as talented,  who will do the work.  It's a simple CHOICE.