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The blog is MOVING!

We are busy building and molding and carving the NEW WEBSITE!

ALL THINGS VOICE will happen on my new site - and the blog will migrate over there!

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Check out web and digital design guru,  TONY HOWELL and his new site and new classes!

New photography for the site was taken yesterday with KALEIGH RAE PHOTOGRAPHY.


New blog posts will begin SOON!


#allthingsvoice

#liveyourvoice

#authenticvoice

Where, What do I sing?

Sunday musings...

Where do I sing?  What do I sing?

These questions come up regularly.  They aren't black and white.  The answers aren't always easy, and they are often fluid.

There are so many variables and being in the right place at the right time;  being ready;  subjective responses and who is hiring and on and on.

What are you in charge of?

More than you think!

You are responsible for your own craft,  and your development of said craft.

You are responsible to learn about the business,  if you are indeed pursuing a career.  Every angle of the business is a different business.  It's up to you to figure that out and find out what the parameters are, and how you negotiate the landscape (or the land mines as the case may be!)

You are always going to get tons of opinions.  Some people will love what you do;  some will be lukewarm.  It's life.  Opinion is only a sampling and can't be given too much weight in the overall aspect of things.  Let it inform your bullshit detector:  as in, are you clear in your own pursuit?  Can you look at the opinion objectively to inform where you are,  what you are trying to do,  with information that is helpful as opposed to delusional or destructive?

Where should you be?

Obviously I can't answer these questions for you.  Nobody can.  Nobody can guarantee you are going to have a career.  Nobody can dismiss you and tell you that you WON'T have a career.

What does having a career mean to you?  It doesn't mean the same thing to everybody.

What do you want?  Why?

What fulfills you?   What gives you joy?   What makes you happy?

These answers may or may not put you on a career track.

Who is telling you "you should",  or "you shouldn't"?

Not everybody has a world class voice.  Not everybody is a prima donna or leading lady.  It's okay.  Theatre is created for MANY MANY different voices and characters.  If everybody is a leading lady, then nobody is!

Theatre is available at every level.  And, guess what?  It can be absolutely fulfilling at every level.

You can find committed, talented,  professional and fantastic theatre from community theatre to fringe theatre to pop up theatre, to small regional houses,  to larger regional theatre to A houses and Broadway.

You can also find absolute shit in all those places too.

There are no absolutes.  If you look hard enough,  you'll find the gems everywhere there is theatre!

Sometimes you'll hear an exceptional voice or see a brilliant actor in a place you wouldn't expect.  Sometimes they are there because they simply want to be;  sometimes they are there because the business has just found them there, or they have found a place there.


Whether you are a leading lady,  a leading man,  a side-kick, a secondary or tertiary character,  a "character" character,  right through to a strong chorus member:  YOU MATTER.

Figuring out where you fit will allow you to thrive in that environment - from genre, to level, to character type & fach and more.

If you realize that no,  you aren't a leading man but you make a great character actor - then figure out what you have to have and have to do to create the best character actor you possibly can!   What does that demand of you in craft and knowledge?  Where are you best seen and how you do you get infant of those people?

You go where your talent takes you.  If you keep hitting walls,  perhaps it's time to simply sit down and have an honest discussion with yourself to review your goals and your dreams.  Adjusting the focus of those goals and dreams doesn't mean you give up!  It means you adjust the realization of where you actually are,  and what you can do to truly inhabit that reality.

Dream big, big for YOU.  Then, breathe in the present. Where are you?  Why are you there? What brings you there?  How do you inhabit that?   Surround yourself with a FEW trusted professionals (professionals - not friends, not family) that will give you a firm anchor and will help you understand where you are now,  what you have to offer,  how you could be seen,  and where.  Nobody knows where that leads.  Only you,  taking the reins,  committing to your passion and your craft,  learning how things are structured and what the business does,  can discover that.

If you find out that you are over the moon and happy creating theatre in small spaces,  and that you play the "second banana" and can NAIL it and it gives you a sense of accomplishment - then that is a WIN!

It isn't always all or nothing.  It is finding out WHO you are,  WHAT you have,  and WHERE it can be realized.  It is claiming the truth of what you DO,  not just what you say you want to do.

If you lead with the truth and authenticity of what you are truly about and what you honestly can do,  then you have a clearer understanding of where you could be, as you pursue where you can play!

Take a few seconds with that one.  It's gotta stay present,  and the honesty of that within you will morph as you and your craft continue to evolve!

Keep asking questions.
Keep your peripheral vision open.
Keep seeing the spectrum of the rainbow,  not right or wrong;  not black and white.
Stay present.
Pursue.
Find joy.
Know the difference between making music,  and making a living making music.
Breathe your passion.
Know the business you are in.
Trust few,  and nod at the rest.
Look at a closed door or a "no" or a "don't" as an opportunity to find another door that opens, a "yes" or a "do it!"

There is no failure if you pursue.

There is no failure if there is passion.

There is no failure if you are content.

There is no failure in falling down,  tripping or trying again!

What you DO with it gives you momentum or stops you.  How you respond will give you more answers than you realize!

Be where you are.  Inhabit it.  Stretch into it.  Enjoy every second so it gives you opportunity to grow!

Don't make excuses.  Just do the work.  Hone the craft.  Gather knowledge and be as informed as you can be.

Where you sing and how you sing and when you sing and what you sing, will then continue to reveal what you want to be bothered with,  and what you can release without angst.

Your success is knowledge.  Be bold to find it, and live it!

#liveyourvoice
#authenticvoice

Inhabiting Your Craft

Happy Sunday!  Happy April!

I was tagged in a post on Facebook this morning...which got me to thinking...

The post was very complimentary: “…XYZ is a wonderful actress…BUT, her voice needs the tender and intelligent ministrations of SEY.  Her voice is in pieces - you could hear her move from one register to the next, and the “high” notes would crack in between.  It was painful to hear.”

I thank the person who wrote this - I am honored.  And it broke my heart. 

Why do we do this to ourselves?  Why do we neglect or reject a portion of our craft, thinking or hoping or praying, that another aspect will make up for it?

It breaks my heart for many reasons.  One is personal.  I have done this.  I have relied on my acting intelligence when my voice was a mess.  I knew it was a mess.  I knew WHY it was a mess.  I was stubborn (my best and worst trait!) and made myself get through.  Did it work dramatically?  Yes.  Did it work vocally?  Oh hell no.  Was it reliable?  absolutely not.  Was I in survival mode only?  Pretty much.

So, I get it.  I get it more than you will ever know.

This is why I am vehement as a teacher to try to instill the absolute NECESSITY of CRAFT.How does one inhabit one's own craft?What does it demand of you?What does it reveal about you?These are the big questions we have to be strong enough,  stubborn enough,  willful enough,  to ask - and then to ANSWER.

It directs us from opposites.  The "actor" feels the story telling is enough to mask the lack of vocal development.  The "singer" feels the voce will supersede any flaws that the lack of acting intelligence may have.

WRONG.Both, and I do mean, BOTH are crucial to truly inhabiting your craft.

It doesn't matter what genre you are in - music theatre, opera and all its manifestations - CRAFT is CRUCIAL in order to fully inhabit what you say you do and who you say you are.

FEAR is a big obstacle.  I get that.  The "but what if..."  can often be truly in the way.  But what if I can't?  Hey,  but what if you CAN?What scares you?  failing?  or succeeding?

So what are you doing to inhabit your craft?  Where are the weak spots?  Are you just doing a patch job, or are you truly looking at it objectively and seeing it fully - big picture - and are you ready to work on the overhaul?

Craft as a singing actor is CONSTANT.  We work,  we discover, we hone, we physicalize,  we gestate,  we incubate,  we "ah-ha!",  we create behavior,  we create consciousness,  we observe,  we step away,  we internalize,  we materialize...

It's a lot.  It is.  I know that.  But we MUST.  We must honor the craft we say we do.  

I see great actors simply not discovering what they can do for a HEALTHY singing voice.  That's a choice.  A choice NOT to.   We see all their commitment into their acting craft,  and even their SPEAKING voices - but then not what is needed to sing with the same level of authenticity.  The study and discovery has to happen in order to create a fully realized characterization.  The voice doesn't have to be amazing.  An actor who sings may not have a beautiful voice,  but they can create beautiful technical behavior to access what they DO have,  and access their talent at will.

Study doesn't just happen when you book a show.  Study happens in the in-between.  However, when you BOOK,  you better be studying in order to have that 2nd set of ears and eyes keeping you healthy in order to do your work!  The maintenance is KEY.  Maintenance cannot happen if the behavior has not been achieved.

The same goes for singers who act.  I have heard incredible voices and as soon as I see them on stage - I can't watch.  They are awkward.  They have no idea what to do with their bodies,  how to move,  how to physicalize their voices with any dramatic choice.  We lose how magnificent the voice is,  because we SEE the awkwardness or the self-involvement with the SOUND and the craft of acting doesn't exist.  A character is not realized.  This isn't inhabiting the fullness of craft either.

With both singing and acting -  you must look at each specifically before you can integrate fully.  You need to discover the physical behavior of EACH in order to embody BOTH.

"It's good enough" my darlings, is bullshit.  It's your stress management talking.  Trust me, been there, done that, have the tattoo.

Inhabiting your craft takes time,  perseverance,  tenacity,  stubbornness,  willingness,  desire,  passion and drive.  

It's not over till it's over.  It will be enough when you aren't over thinking and overcompensating and aren't making excuses for something.  And then,  the muses will reveal what more you can do!Inhabit because you MUST.  

Your craft demands all of you.

Exploring the Consciousness of the Body

No matter the level of study or development you are, I hope you have a teacher you check in with regularly that has a strong understanding in the physical instrument.

What we all need to do, on a regular basis, is check in on that physical function of our fully body instrument. In other words, the ABCs.

We can do some of it ourselves, as we become more aware of what to watch for and observe, and then having a teacher who can diagnose or re-adjust what you cannot see or sense is crucial for keeping the physicality aware and awake for your voice to find an authentic place to reside!

Observing these tangible elements is really an ongoing and daily practice for those who are pursuing craft effectively!

1.    Body Posture

How are you moving? How are you standing or sitting while you speak? Where is there hyper-extension? Is there slumping or compression? Any locked spots? Any pressure spots?

2. Energy Centre

What position of energy do you "lead" from? High in the chest wall? Collapsed through the solar plexus? Compressed or pressed through the pelvis?

3.    Head/Neck/Jaw

We deal with what has been referred to “text neck” as a general issue in our current smart phone society. Is the head balanced on a long neck or does it push forward? Is there chin tucking or jutting forward? Is the jaw tight? Is the speaking voice in fry or is in buoyant? Is there range of motion in the complexity of the neck muscles or is there compression?

4.   Singing Posture

As you begin to vocalize, how is your posture affected? How is the breath engaged? Is there ease or are you struggling?

5.    The Breath

How are you accessing the breath? Can you find ways of engaging more elasticity in the body in order for the breath to have more buoyancy and release without adding voice or vibration to it yet?

6.    Body Basics

As you engage breath movement with the voice, how is your body responding to the athleticism of those intangibles? Is there fatigue? compression? tightness? collapse? grip?

7.     Voice Onset

What happens on the onset of the voice? Are you paying attention to that initial and crucial onset for balance?

As a teacher, I am paying attention to ALL of this with every singer when they walk in. As a singer, I am paying attention to all of this when I begin to stretch and workout my body, breath, and voice during a practice session.

In the study of voice, one size does NOT fit all. We have to learn to recognize where we are and begin there. Learning to observe without criticism (!!) gives us permission to not judge and simply recognize the habits and behaviors that are not always conscious. This can then lead to more conscious CHOICE of changing habits and behaviors to better serve us.

Consciousness.  Awareness.  Willingness.  Clarity.  Focus.  Pliability.

All of these are crucial to the singer, as well as the teacher, in order to discover what you need on any given day.

I am returning to the Laurie Beechman Theatre in April

after a sold out performance in November, to public and critical acclaim,  I will be returning
to the Laurie Beechman Theatre,  at the West Bank Cafe in APRIL!

"WHY?"  returns THURSDAY APRIL 13, 2017 at 7 p.m.

Laurie Beechman Theatre, West Bank Cafe

directed by Trent Armand Kendall
music direction by Steven Ray Watkins
bass, John Miller
drums, Don Kelly

tickets available NOW

https://web.ovationtix.com/trs/pr/962188
or call: 212-352-3101 

Join us!

The Artists 4 Artists Newsletter Released!

If you subscribe to my Artists 4 Artists Newsletter,  it was released at midnight last night and should be in your inbox somewhere!

If you don't subscribe,  and still want to take a look at the many resources in it,  the link below will take you there!

http://eepurl.com/cvjAr5


This newsletter,  although heavily NYC-based,  has many other cities/areas with resources as well as ONLINE WORLDWIDE resources.

From coaches in opera and music theatre,  to classes for performance,  to skin care and makeup artistry,  to fitness,  to photographers,  to finance specialists for artists,  to composers,  to social media and website design and MUCH more - I hope there is something you can find that you might need now, or tuck away for when you may need it!

The newsletter is a labor of love for me and a chance to give back a little to my community of artists.

Hope you enjoy reading through and if you are interested in subscribing to this particular newsletter you can sign up here:

http://eepurl.com/cbxMVj


Here's to the artists that support other artists!  Our community is STRONG!

I just don't know what to do with you...

It's Saturday!

"I just don't know what to do with you..."

Ever heard that before?

I could have had that on every t-shirt as I was actively auditioning and learning how to manage the mine-field.

My answer of course was: "HIRE ME DAMMIT!"

However,  alas,  not so much...

Why?

Why was I told they didn't know what to do with me?

Why was I told how talented,  how musical,  how beautiful my voice was,  how skilled I was,  and then .... crickets?

It's about that damn audition room again.  It's about being an artist,  and having to negotiate that audition room.

We do too much.  Yes, we do.

We see the same people getting called back or hired.  What are they doing they we are not?

They aren't.  They aren't doing so much.

Too simple?  Perhaps,  but consider this.

Auditions are an opportunity to be hired.  Too much information in a short time,  even if the person on the other side of the table has imagination and knowledge,  is just too much information.  No time to sift through all that of that - so - NEXT!

So,  now the question is:  what do YOU do with you?

Quit trying so hard.

The perkiness,  the eager to please,  the desperation...way too much.

Quit trying so hard to look or seem indifferent.

The playing around with "I'm not impressed" doesn't work either.

What do you want to show them in the room?

Don't answer so quickly.  See?  That's part of the problem.  You have TONS to show them and that's why they don't know what to do with you,  if YOU don't decide precisely WHAT you will show.

You do not reveal everything.  You do not reveal most things.  You invite them to see one,  maybe two things during that audition/interview that intrigues them enough to call you back:  where you show them a little bit more.

Always leave them wanting more.

Do not leave them confused.

Often, as artists, because our internal lives and therefore our craft process is very complex,  we don't realize how to simplify.  It seems ridiculous to us.  It doesn't seem as if it's enough to be that simplistic in the room.

Really?  That's IT?!  That's ALL I have to do?

Yes, darling,  pick ONE thing to reveal in the room the first time.  Don't angst.  Just focus and do it.

When I began to figure that out and actually do it,  they finally knew what to do with me!

AND I wasn't exhausted after the audition like I had been.  I actually had enough energy to stay present in the room,  do my work,  simplify and leave and have energy to pick up the rest of my day instead of blinding wander back into the street and figure out how I could catch a nap.

Start exploring how you simplify for the audition.  What do you want to reveal?
Start with 3 or 4 things.
Then decide out of those 3 or 4 things what are uniquely you.  Narrow the choices to 1 or 2.

How will you execute those choices?

How will you stay present as you walk into the room with those choices?

How will you breathe in those choices as you prepare to sing?

It feels too simple doesn't it?

But it's not,  yet it is precisely right.

Not too much,  not too little,  but just right.

If you've done the work - if you can rely on your craft,  on your skill,  on your technique in all areas of your work:  voice,  acting,  presentation,  professionalism  - then there is nothing to hide or nothing to hide behind.

This gives you many choices that you can enjoy deciding from.  It isn't about throwing out ideas;  it's about deciding what to reveal today.  You may choose differently tomorrow depending on the call,  the opportunity,  the song choice and your energy!

These are not tricks.  These are decisions.  Decisions can be made because you are committed to craft.  Craft allows you to access more of what YOU will offer.

Offer what you have in small doses.  Give them something they will know what to do with,  instead of throwing the bag on the table and looking up and expecting them to choose.

The rest will follow.

All of your artistic "burn"  will find a place to unfold when you have an opportunity work a callback and then book the role and embody that!

Let's turn "I just don't know what to do with you"  into  "I know JUST what I can do with you"!

What Does a Singer Need?

Happy 4th of July to all of you who celebrate!

As we enter the lazy days of summer,  it can be a great time to re-evaluate,  to re-negotiate,  to re-discover what you need,  what you want,  what your goals are for the upcoming season,  what you want to achieve through the summer.

So what does a singer NEED in order to create an environment to learn, to develop & to succeed in their development?

Talent aside,  there are many other things that can be more tangible or realized.


Talent is nothing without development.  Potential sucks if it's not developed.


What do you need?

A burning desire to sing.  Not a plan B or C;  not an excuse;  not a "yeah, but";  Just a simple burning desire to sing because that it was gives you a sense of yourself like no other.

You need to WANT to sing.  You need to WANT to learn that role, that song, that aria.  You cannot WAIT to throw yourself into the learning process because to sing is to be alive.


A capacity for major doses of reality.  The DESIRE is fueled by this.  You have to know what you are capable of doing and why;  and what you are not ready to do,  may never do,  and why not.

Do you know what it will take to pursue a career?  Are you ready to commit to that?  What are you ready and willing and able to commit to?  What can you glean from that commitment?

Knowledge is power,  and power is knowing.  The singer must have both and recognize that the balance of the two is constantly in flux.

AWARENESS is key.   Where am I?  What can I do?  What am I willing to do?  How do I make that work to achieve my goals?  Are my goals realistic to my talent, my desire, my tenacity, my commitment?  If not,  how do my goals shift in order to make my choices more realistic?

What are my priorities?  Do they line up with what I want or say I want or do they reveal something more important that I need to pursue or acknowledge?

Are you aware of your own psychology?  Are you clear what it represents?

Are you aware of your emotional and mental strengths, and even more importantly, your weaknesses?  Do you know how to develop your sense of self awareness?
Do you acknowledge self-doubt?  Self-sabotage?
Do you recognize what you need to do to move through it?

Are you willing to take responsibility for your emotional life in order to be healthy enough to explore a professional life as a singer?  What are you doing to achieve that goal?

Find a mentor.  Find that person that is willing to invest in you and challenge you.  A mentor will hold up a mirror to give you permission to see what needs to be seen.  They will help you continue to ask the questions in order to discover some answers, and probably some more questions.  They are not there to enable,  to tell you what you want to hear, but rather, to encourage,  and create an environment safe enough to hear what you NEED to hear and help you find ways to DO something about it.

I think mentoring is like reality training in a safe environment.

As singers,  as human beings,  we need this desperately.

What else do you need?

A solid,  unrelenting work ethic.

A focused consistency.

An unapologetic self-discipline.

The ability to laugh at yourself but always take the work seriously.

The ability to forgive yourself.

The emotional and psychological fortitude to say "no".

The emotional and psychological fortitude to ask "why".

The self-discipline to take a day off and not feel guilty.

The self-discipline to get back to work,  even when the obstacles take your breath away.

The desire and focus to always follow through.  ALWAYS.

So,  what are you working on?  What do you need?  What are you willing to do to acknowledge it,  and develop it and find more of it?

Nothing is promised,  but you have RIGHT NOW to make some choices that will allow you to find your "next".

Happy discovering!!

All the feels

happy Canada Day yesterday,  happy 4th of July coming up!

As summer moves into the lazy days - it gives time to reflect and ponder...

One of the ongoing questions I ask myself and my singers is this:

How does your voice make you FEEL?

How do you FEEL about your voice?

Sometimes we are so busy PURSUING,  so focused on DOING,  so caught up in the HAVE TO, that we forget about how it FEELS.

How does it FEEL to sing?

How do I FEEL when I sing?

Does my voice feel like me?  What is that?  Can it inhabit my physical behavior or is it faking?

Is it my voice?  Am I mimicking? Am I pretending?

Can I summon my voice at will or does it just do its own thing under pressure?  Good, bad or indifferent?

So many thoughts,  so many feelings.

Guess what?  No value judgment on feelings.  They ARE.  What you DO with them is then crucial and how you put that energy into motion.

How you feel about your voice,  reveals your psychology.  And the psychology is constantly morphing, so tapping into your feelings is crucial here.

All the stereotypes of voice come from a kernel of truth about a psychology.  Stereotypes are then over-developed and often satirized,  but the reason we laugh is because there is truth in there somewhere.

What IS that truth for you and how do you give it agency in order to develop fully and not become a stereotype or a cartoon character?

How do you feel?

Your voice might give you different feelings depending on the repertoire you are singing;  depending on the area of the voice you are singing in;  depending on the genre you are singing;

ALL ARE LEGITIMATE FEELINGS.

Discover the difference between the FEELING and the description of your voice.  Don't worry about what it is doing,  how it is behaving,  what you want to change,  excuses etc:  how does it make you FEEL?

ALL the feels.

We often forget, or don't develop the honesty and truth about how we FEEL about our voice.

Go slowly...if it's a new concept,  and I really think it's just an underdeveloped one,  you don't want to overwhelm yourself.  Go from the general to the specific.  Notice when you start to describe your voice instead of acknowledging the FEELING it evokes in you.

Feelings then will reveal the psychology that you truly have to inhabit in order to allow the behavior of your voice to become honestly authentic.

Or,  acknowledging the psychology will give your feelings an honest place to reveal themselves in order for you to accept,  relish, explore and get excited about your voice and recognize the feelings it evokes.

There is no right or wrong;  no value judgment;  just your truth - should you seek it out.

Those singers who truly touch us,  are willing and able to access the feeling,  the psychology and the behavior.  They make no excuses.  They just DO.

Start wherever you are.  Be there fully.  Feel it.  It's safe to go there because it's going to reveal YOU to YOU.  That's more important than anything else.

Feeling just has to be real.  Real is what you choose to reveal. TO YOU.

It's New Year's Eve...

The book on 2015 is coming to an end...

Slam it shut,  close it carefully,  close it firmly,  close it gently...but CLOSE it.

Time to pull out the new book and begin to write,  to discover,  to get excited,  to remember in order to adjust;  to create,  to nurture,  to trust your curiosity and your excitement.

Today,  on the eve of the new book gives you opportunity too.  To reflect,  to rejoice,  to shake your head,  to let your breath out!

YOU DID IT!!!

You succeeded in another year.

Do you have an Eve Ritual?  Do you take time for YOU today to create a moment to reflect,  release, &  respond to your past year?

Whether you meditate,  or go to the gym and sweat it out,  go for a walk,  burn a candle or incense,  or write the year out and release it by burning the paper it's written on,  DO IT TODAY.

The year isn't all or nothing.  It is a part of you and will remain thus.  It is up to you to finish up, tidy up,  and release it today FOR YOU.

Tomorrow begins a clean slate.  How will you embrace it?

Are you excited?

Are you seeing possibilities?

Once you release whatever 2015 offered and whatever you worked with during this year,  then you can fully take a breath and release it behind you.


Tomorrow there is magic,  excitement,  possibilities and freshness.

Find time today to be still and write in the final page of 2015 "The End".   Turn the page and discover the Epilogue that is TODAY.

Acknowledge,  release and close that book.

Be still.

Reflect.

Breathe.

Wherever you are,  BE there.

Magic and excitement and possibilities all await you...TOMORROW.

Just finish the book.  Give yourself that moment to let it resonate and then put it on the shelf,  or burn it,  or release it fully.

Laugh, scream, sigh, roll your eyes,  cry,  swear!  Give yourself permission to release the book of 2015 however you choose to.


Commit to living in your NOW;  discovering your now;  embracing your now.

Now.

You.

Gift yourself with that.

Here's to YOU and the absolute uniqueness you are!

Are you settling?

Do you "settle" for less?

for crappy?

for "not what I was expecting"?

I have been known to "make do" much longer than I should have - and therefore - "settling".

It actually pisses me off.

WHY DID I DO THAT?

You don't have to make excuses.

You don't have to create a litany of reasons why.

You just do not have to settle.  Period.

Your castle,  your rules.

So often, we feel as if we HAVE to take that job,  HAVE to audition for that show or project,  HAVE to, have to, have to.

What if I told you,  you don't have to?

What if I told you,  having to leads to settling?

What if I told you settling leads to mediocrity?

What if I told you mediocrity leads to your soul being sucked away?

What if I told you,  that if you were GIVING the advice,  you'd tell that person "settling" the exact same thing????

What are you settling for, anyway?

You haven't worked in a while so you SHOULD take that job?

why?

You need to get another credit on your resume,  so you SHOULD audition for something that really isn't your fach, your wheelhouse, your type?

why?

You should just take that job, even though the pay sucks, and the living conditions are like a 3rd world country...because...

why?

Why do we settle?????

We are,  you are, I am,  WORTH SO MUCH MORE!

I know a secret I want to share with you....

Theatre isn't going anywhere.  It has been here since ancient times, and will outlast all of us.  It is not going ANYWHERE.

So,  what's the rush?  What's the hurry?  Why the settling?

We so often get so panic-stricken about work,  about being seen,  about staying current.  Yet, by settling,  what does it really reveal about us?

Could it be anxiousness?

Could it be fear?

Could it be panic?

Could it be desperation????

I don't know about you,  but I don't particularly want anybody to see ANY of that.  EVER.

And frankly,  why should they even be part of my or your consciousness?

Who told us we had to be anxious or fearful or desperate?

Those stupid inside voices that need to be silenced quickly,  that's who!

Even the business doesn't say that.  They WANT to hire us if we are right.  However, if we bring in desperation or fear or anxiousness,  they cannot.  They need us to be grounded, and real, and clear, and focused & all those things we know we can be.

 While teaching, I often talk to the singer while they are singing - not because I don't think they are doing what I am asking of them,  but rather to remind the subconscious of what we are DOING.  And I often say,  I need to be the LOUDEST VOICE IN YOUR HEAD.

Who is the loudest voice in YOUR head?

The voice that settles,  or the voice that says "no shit today!"

Those voices need to push you when you don't FEEL like practicing, or preparing;  when you don't FEEL like getting to a dance class or a performance class.

Those voices need to push you when you hit your snooze button but you need to get to that audition.

Those voices need to push you when you need to self-submit online BEFORE you have an adult beverage,  or a date, or a snuggle on the couch with your pet.

Those voices need to push you when you'd rather eat pie than go to the gym.

THOSE voices.

Those voices don't settle.  They pester.  They challenge.  They know the truth.  They know YOU know the truth.  They are loud,  they are noisy, they have no sense of decorum and they will kick your butt if you don't start paying attention.

If you DO ignore them and settle - trust me - they will KICK YOUR ASS.  HARD.

It takes more effort and work and energy to try to shut them up than it is to actually DO what is right for you.

Why do we fight it?

Why do we settle?

I have two words for you:  STOP THAT.

Or three words:  STOP THAT STUFF.

QUIT settling.  Figure out where that self-sabotage is.  Figure out why.

And STOP IT.

STOP IT NOW.

I don't want "Yeah I know".

I don't want "Yeah but..."

I don't want "Yeah I probably do..."

JUST STOP.

Figure out if settling is serving you,  or if it is simply wasting time and energy keeping you from the power and possibility that is yours.

POWER & POSSIBILITY is stronger than "settling".

Settle because there's nothing better to do????  There is ALWAYS something better to do!  You just have to take a little more time and effort to discover it.

The focus is never ahead of you - but always in your peripheral vision.  Stay alert.  What lurks there is precisely what you need to see in order to never settle.

Not settling means saying "thanks, but no."

Not settling means saying "I am better than that."

Not settling means saying "I deserve better than that."

From yourself.

From your craft.

From your business.

From the people you surround yourself with.

From everything that you feel informs you,  involves you & infuses you.

NO.  MORE.  SETTLING.

Here's your line in the sand.

Watch what happens.  Listen to what happens.  Sing what happens.

Saying "no" doesn't mean a door closes or a bridge burns.  Saying "no, I am not settling" means possibilities begin to percolate and build;  You just have to have the courage to say it and walk away.

You don't walk away with your head down, in defeat.

You walk away with your head held high,  paying attention to each moment with your focus in the periphery!!!

Are you ready?

Me too.

Ignorance is not Bliss

It really isn't. 

Many of us, when we look back at things we did in our studies, in the business,  when we didn't know what we do now, CRINGE at how we handled things.

It happens to ALL of us.

However, it doesn't mean you cannot be as prepared as possible and when you know better, you do better.

Let's talk auditions, shall we?

In music theatre,  things are a little slower now for holiday season and will ramp up again soon enough.

In opera, deadlines are coming for summer program applications,  many YAPs and general auditions are happening now.

What are YOU doing?

Here's just a quick check list to see if you are ready to truly be taken seriously for whatever you are focusing on.

1.  Are you studying?

This doesn't mean once in a while,  or calling a teacher or a coach for a "quick fix" the day before or the week prior to an audition.  This means, are you studying regularly?  Figuring out what that means for you is CRUCIAL for you!

2.  Are you ready to audition for what you are want to be seen for?

Do you know the business landscape you are entering?  Do you know what is required?  Are you accessing that fully enough in your current development to be seen as a viable candidate?

3.  Are you taking workshops about the business of show?  Do you take advantage of blogs, webinars, online skype sessions, and in person workshops to get to know what the business of show is really about?

4.  Do you have a team around you that can give you TRUTH about where you are in your current development to help you with recognizing the mine fields, what to avoid,  where to be seen?

5.  Are you doing regular research about casting directors, opera companies,  conductors,  directors, agents, regional theatre companies,  summer stock and the like, in order to recognize the people who are in the position to hear you and hire you?

6.  Are you working on the "other" aspects of your craft - not just singing - like acting,  audition protocol,  dancing and/or moving well?

7.  How is your online presence?  Are you up-to-date with your website?  Are you visible professionally on social media?  Are you on audition sites for submissions?

8.  Do you know how to prepare for the actual AUDITION with repertoire,  presentation,  what you wear,  how you approach things?

9.  Are you overwhelmed yet?????

That last one was supposed to make you laugh.

It CAN be overwhelming.  It doesn't have to be.  Breaking things down for yourself will help you figure out where you are,  show you were you might need a little more time,  a little more attention,  and help you organize what can be an overwhelming process.

There is no reason to feign ignorance anymore.  It often is used as a stress management tactic,  but it never really fools anybody.  The only person it might fool,  is you.

If you commit to your process,  you will find what you need in order to access what you are ready for NOW.

NOW is all we have.  Use it wisely.  Don't wish,  just get it done.  One step at a time.

Theatre isn't going anywhere.  When YOU are ready to be seen and heard,  it will be there.

Don't panic,  don't whine.  Don't claim ignorance in this day & age.  Find what you need;  if you don't know what you need, ask for some guidance!  Many of us are here to help you get on the right path for YOU.

During this upcoming holiday season,  take stock,  be real with yourself,  begin to discover more about yourself and prepare to step securely into your NEW YEAR as you pursue this crazy, wild and wonderful business, called show!

Professional IS as Professional DOES

happy Sunday!

My blogging life has dropped off considerably so apologies to those of you who have been waiting for a post!

Much has been happening and often, the same issues recur over and over again.

One of the recurring issues I have seen as ongoing,  is the lack of professionalism when it comes to social media.

But Susan,  someone is going to say,  social media isn't meant to be professional!

Ah, but APPROACH means everything!

Approaching a professional in the business is requesting a moment of their TIME.  And in that moment, you might be requesting their time to enquire about their services, or a question that will take their time.  Just because they are on Facebook or Twitter or any platform that gives you access to their profile,  does not mean you should  approach with a casual flair.

Social media is a double-edged sword.  It makes us accessible,  but it also seems to eliminate personal boundary. 

HOW you approach someone in the business reveals more about YOU than it does about them.

Before you just start messaging someone,  stop for a second and figure out exactly what you want to say and why you want to say it.

Be respectful.  If your time is valuable, so is theirs!

If you are asking a professional question,  don't assume a freebie.  Any professional's time is worth something.  They determine that worth,  not you.

Figure out how that professional wants to be contacted.  Social media?  Via their website?  Via phone?  If you aren't sure,  ask.  When in doubt,  an email is often the most respectful,  as it allows the person you are contacting to get back to you in their own time;  it also shows you have taken the time to find their website,  discover their contact information and made an initial enquiry, instead of just pm-ing them via their Facebook page.

I often get inquiries via FB and simply send the link to my website and request they email me once they have read through.   Most inquiries then come through the channels I prefer and can deal with effectively.  If they don't,  then the inquiry was not that serious.

If you are asking for a professional's time and expertise,  don't assume they are going to be your "friend" or "peer" in the asking.  Every professional I know has worked hard to develop their expertise, and that isn't for free.  They are not simply going to meet you for coffee to talk about your career when you are someone unknown to them.  You are saying "but Susan, nobody does THAT!" Oh yes, they do my sweet snowflakes,  yes they do.

A professional's time is worth whatever they decide it is worth.  If you are seeking out their TIME in relation to their expertise,  then you are approaching said professional,  with professionalism.

Many of us are more than willing to go the extra mile to help you,  if we see what you are willing to do,  how professional you are behaving,  if your talk matches your walk,  if you truly are looking to develop your knowledge, your craft,  your career.

Most of us have a fairly strong bullshit detector.  This allows us to see and discern quickly.  We have to.  This is something YOU must develop too. 

So, how do you develop this professionalism and etiquette even if you are green in your craft and/or in the business?

A few things to consider:

1.  Approach with respect,  and ask for clarification if you are unsure.
2.  Do NOT assume.  Ask.  Request. 
3.  Know who you are approaching.  Do your research. 
4.  Know what you are requesting.
5.  Follow up, follow up, follow up!


It's not rocket science,  and should be common sense,  but even that is lacking these days.

A professional in ANY business will respond more favorably to someone who approaches them WITH professionalism. 

Your behavior toward someone reveals more than you know.  That you have complete control over.  Don't feign "but I didn't know".   Find out. 

Simply treat others the way you would want to be treated.

Behavior is as behavior does.

Your professionalism is revealed through your BEHAVIOR not your resume.

The Business of Singing Coffee Clatch Workshop in NYC

If you are a classical/opera singer you need to know Cindy Sadler!  Her Coffee Clatch Workshop hits New York City on NOVEMBER 8th!  

 Cindy is known throughout the opera world for her savvy and tell-it-like-it-is

There's still space available for our Coffee Clatch Workshop on November 8! Here's your chance to "caffeinate your career" by addressing specific issues in an informal, fun setting. Tickets here:

https://www.universe.com/events/the-business-of-singing-coffee-clatch-workshop-tickets-new-york-SHQF4N


Follow and read Cindy's Blog http://100lbs.typepad.com/mezzo_with_character/

Her website: http://www.cindysadler.com/

And The Business of Singing:  http://www.thebusinessofsinging.com/

Upcoming WEBINAR with Backstage University!

Want to join us?

I will be giving a WEBINAR through Backstage University:

TUESDAY OCTOBER 20th at 4 p.m. EST

You can sign up to join us online LIVE or sign up to get a recorded copy of it, if you aren't available to join us live.

We will be discussing "Finding Your Authentic Voice" - and all that might mean as you discover YOU in the audition room!

Check out the link and details HERE!

Hope to see you SOON!


Best,
Susan

Needs & Wants

happy September!

We are into the middle of the month already,  and I am not sure how that happened, but ONWARD!

As the academic year as begun, and audition season starts in full force,  here come those questions again:

What do I want?

What do I need in order to do what I want?

Will my wants change if I really focus on my needs?

Am I willing to be honest enough to truly figure out what my needs are first in order to discover if my wants are actually viable?

It's time to take stock and question in order to find the answers and then put those answers into action!

Do you make lists?

Do you create a vision board?

Do you write in a journal?

What gives you a more focused and somewhat tangible accountability outside your own thoughts?

Whatever works for you,  do it.  This helps to keep things clear as you can stand with some distance and objectivity in order to create some order of the chaos!

There is no direct path - however, needs & wants when it comes to a balance of craft and business of show,  should be there to bring each other into higher relief.

The clearer you are the more concise you can be to discover what you have to do to focus on those wants and needs and how they feed each other in a positive way.

Wanting to be a working actor or working singer,  and being told you aren't ready because you refuse to acknowledge what you NEED to get there,  isn't serving you.  You are spinning your wheels,  wasting time and probably money,  and getting little of what you need and ultimately nothing that you feel you want.

 I see too much "cart before horse" activity. As an example:  if you are a dancer and your singing is holding you back,  then do your research,  find out who is teaching voice and will give you the tools (not the tricks) to SING WELL and find your voice and build the craft of voice to access what you NEED to be able to feel confident and strong walking into that callback or audition.

 If part of what you NEED isn't developed enough,  you've got to address it in order to access your craft more fully.

Don't use the crutches - throw them away and get to work!

If I tell you that I want to wear this gown,  and can't because I am 20 pound heavier than I want to be and do nothing to get off my ass to lose those 20 pounds and just complain that I can't wear that gown - the responsibility is not on the business, or the gown, or the 20 pounds! 

The responsibility is on ME!!!
 How badly do I want to wear that gown?  What do I need to do in order to do that?
Do I have what it takes to DO what I need to do in order to reach that goal and wear that gown?  What is actually important to me?  Wearing the gown?  Taking off the weight? Feeling good and healthy?  Just talking about it?


See where I am going?

Often we get cluttered in our wants/needs,  and end up feeling overwhelmed,  and then, do nothing, or give up.

Fall season is a chance to slow things down,  go inward and start to get real with ourselves.

What are we doing?

What are we doing too much of?  Why?

What are we wanting but not achieving?

What are we being told we need to do?

Are we looking into that?

Are we ignoring that?

Are we dismissing that?

Why?

Yes, sometimes it's bullshit.  Sometimes it's not.  Sometimes it will reveal what we really need to see.  Always remember the source.

What are we afraid of?

What are we ready to claim?

 And guess what,  it's okay to say "I'm not ready to do that yet."

We have to be ready.

We have to be ready to identify the differences between needs and wants.

We have to be ready to dream.

We have to be ready to put action into acquiring those dreams.

We have to be ready to realize what those wants REQUIRE OF US.

We have to be ready to have an honest conversation with self,  and seek out those who will be straight with us and help build us up - not tell us what we would like to hear in order to stay comfortable and complacent.

Write out what you want.  Create a vision board.  Work one want at a time.  Don't overwhelm yourself.

Then start researching and discovering what you need in order to move you closer.

DESIRE your NEED,  not just your want.

The journey and the work doesn't have to be overwhelming.  In fact,  committing to the realization of the NEED can be more fulfilling than you ever imagined. 

The work can then illuminate the deeper truth of the want.

Dream, aspire,  create the big picture.

Then desire and focus on the steps to create a journey that is uniquely yours and yours alone.

Desire the need.

Plant the seeds to fulfill your needs.

Watch what happens!

 

I wanna be on Broadway! I wanna sing at the Met!

Sunday musings...

When asking singers new to me what their goals are,  inevitably I get one of these two answers from time to time:

I wanna be on Broadway.

I wanna sing at the Met.

As we enter another audition season,  another performance season,  another academic year,  we shall hear these two lines, and many others similar,  in many places:  the voice studio,  the audition hallway, the student lounge...

And as a music theatre veteran gypsy said to me last week while rolling her eyes: "So do a lot of people honey,  get in line!"

I shall go one further.

What does that MEAN to you?  Being on Broadway?  Singing at the Met?

Since you haven't done it,  you don't know what the reality of that is.

So what does it represent to you?

Often when inexperienced, or naive,  or something else that is vague,  we come up with pat answers like this.  It reveals MUCH as to where you are in the bigger picture of the journey.  Don't worry, we've all been there.

I just want to challenge your language in order to help you find out what you REALLY want.

If you don't know you can't figure out how to do it, or how to get there.

What is it about "Broadway" that appeals?  Why?  Is it the actual location?  Is it the prestige it evokes? What do you need to do to "be there?"   Do you even know?

What about The Met?  What does that represent?  What makes you qualified?  Why?  What would it give you?  What can you give it?  What do you need to achieve and develop to allow you an opportunity to be there?  And if that opportunity comes,  what does it mean?

The more "pat" your answers are,  the more questions I will have!

What do you KNOW about the location you want so badly?

Is it the place or what it represents?  What does it represent to you?  Why is that the goal?

How do you do that?

How do you develop knowledge,  craft & tenacity to achieve it?

Is wanting it enough?  What do you actually have to DO????


Start with your answer,  or your supposed answer.  Allow yourself permission to change it,  once you have started to structure what is needed to get there.

If destination is important, then how you get there has to be precise.  Do you know what it takes to find that precision?  Are you prepared?

Do you even know the questions to ask?

Or,  are you beginning to wonder if that "pat answer" has more flexibility?  Maybe the journey,  maybe the discovery,  maybe the work and the self-awareness will actually reveal less rigidness and more fluidity to take paths of possibilities you won't see right away.

The more we learn,  the more questions we have,  and the more we seek,  and the more we learn, and the more we discover,   the deeper we become and the clearer we become and the more questions we ask and....


If your goal is a destination only,  perhaps it's time to start asking questions.

What's the first question?

Why.

Always,  why.

Why am I doing this?

Why am I here?

Why is that my answer?

Why?

Happy questions!   There should always be more of those than answers anyway!  Otherwise,  why bother seeking the answer if the question isn't asked?

ASK QUESTIONS!  LOTS OF THEM!!!!!

They will lead you to more questions,  to possibilities, and answers that morph and flex with the growth of YOU!

HAPPY DISCOVERY!!!

A New VLOG!

happy Sunday evening all!

I want to recommend to you a new vlog series called "Notes from the Bench"  produced by Mikhail Hallak & Studio 113 Productions in New York City.

Here is the first episode in case you haven't seen it - it's going to be a great series!


https://www.youtube.com/watch?v=ymFfJ0heXiQ


ENJOY and keep watching for more content!

 

Dear Singer...What is it about the Business?

Dear Singer,

First,  you have to identify the difference between making music and being an artist AND making a living making music.   You have to know how to separate those two.  They are not,  nor have they ever been the same.

There are rules that apply to each of those facts,  and you have to find them and acknowledge them and follow them.  You haven't done that yet or you wouldn't be feeling they way you are feeling.  Acknowledgement of rules,  prevents you from taking it personally.

Even if you were Equity,  the stats are 95%  unemployed at any given time.  This is BUSINESS of show.

You have chosen a profession that has a ridiculous unemployment rate.  You have to want it badly enough to stick to it.

Knowing how your voice works, or  how to be an actress and all the craft associated,  is NOT how the business works.  The two are not the same, nor do they necessarily go hand in hand.

You have to learn how the business works and the time it takes to figure out the game and how to play it.   You have to be prepared to be in this game long enough (sorry sweetie - 2 years is no time - or 6 months or even 5 years...)  to find out whether it's what you want to be bothered with long term,  or simply walk away and find another way to keep making music for your well being.

Just wanting something doesn't make it so.

We work not because we are good enough,  but because somebody thinks we are,  and sees us playing the game to their reasoning.

The game is often bullshit and it has NOTHING to do with craft or artistic integrity - but it is what has to happen in order to work.

So - prepare to learn the game.  That takes time. A lifetime really.  There are no assurances in this business.  None.

There are no answers but the ones you discover for yourself,  about yourself and about how you function or not, in the business.

The level of the business doesn't matter:  same game, just another day and another process.   Community theatre, regional professional theatre, Broadway - ARE ALL THE SAME.  The players and venue change.  The stakes may change.  Learning to play the game in the venue you are in is what the business is about.  Discover your game.  Play it.  Get good at it,  or walk away.

I am just trying to be honest with you.  The work you do on your artistic self will always be there;  don't misunderstand that.  Artistic self has NOTHING at all to do with BUSINESS self.

Learning the business,  learning the game,  and how you navigate those land mines - is up to you, and takes more time than you realize.  If our artistic selves continue to evolve and develop over a lifetime, then so,  do does knowledge of the business and the business self within the business of show.

Chin up!!! Your path is your path.


Accept it,  experience it,  walk it - or choose to walk elsewhere.  Wherever you,  BE THERE.  Fully, honestly, and completely.




Sending you good wishes,
Susan